© Copyright 2016 by Roberto Di Marino

The three movements imitate consolidated historical models of the baroque and classical-romantic solo concert. An orchestral ritornello is proposed at the beginning and end of the first movement while the central part is made up of partial expositions of the ritornello and a close dialogue between solo instrument and orchestra. The musical style is characterized by a simple harmonic language enriched by the frequent use of polyrhythms.

First Performance: October 4, 2016 - Sala della Filarmonica, Trento, Italy
 Performers: Simone Vebber- Harpsichord, Orchestra da Camera di Brescia conducted by Filippo Lama

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